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Decorative & Fine Arts Society

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Visit to the National Gallery – Exhibition of Leonardo Da Vinci Paintings
16/01/2012 BOOKING FORM AVAILABLE IN THE 'ABOUT US/DOCUMENTS' SECTION

Programme
0820 Depart from Sue Ryder
0834 Depart from Barton Road (Free Parking only commences after 0830)
1100 approx Arrive at The National Gallery
1600 Departure from The National Gallery

Cost: Members £ 31.00 and Non Members £ 33.00
Audio Guides may be purchased as an extra item at the Gallery. ____________________________________________________
'Leonardo da Vinci: Painter at the Court of Milan' is the most complete display of Leonardo’s rare surviving paintings ever held. This unprecedented exhibition – the first of its kind anywhere in the world – brings together sensational international loans never before seen in the UK, including 'La Belle Ferronière' (Musée du Louvre, Paris), the 'Madonna Litta' (Hermitage, Saint Petersburg) and 'Saint Jerome' (Pinacoteca Vaticana, Rome).
While numerous exhibitions have looked at Leonardo da Vinci as an inventor, scientist or draughtsman, this is the first to be dedicated to his aims and techniques as a painter. Inspired by the recently restored National Gallery painting, 'The Virgin of the Rocks', this exhibition focuses on Leonardo as an artist and in particular on the work he produced during his career as court painter to Duke Lodovico Sforza in Milan in the late 1480s and 1490s.

Benefiting from his salaried position, Leonardo had the freedom to explore ways of perceiving and recording human proportion, expression and anatomy and the myriad forms of plants and animals. These investigations fed into his extraordinary paintings: marvellous combinations of the real and the ideal, the natural and the divine.

Featuring the finest paintings and drawings by Leonardo and his followers, the exhibition examines Leonardo’s pursuit for perfection in his representation of the human form. As a painter, he aimed to convince viewers of the reality of what they were seeing while still aspiring to create ideals of beauty – particularly in his exquisite portraits – and, in his religious works, to convey a sense of awe-inspiring mystery.

The final part of the exhibition features a near-contemporary, full-scale copy of Leonardo’s famous 'Last Supper', on loan from the Royal Academy. Seen alongside all the surviving preparatory drawings made by Leonardo for the 'Last Supper', visitors will discover how such a large-scale painting was designed and executed.